Some days it feels like I don’t even have the time to sneeze, much less map out a page turning back-story. Especially when, if what started out as a bit of fun… begins to feel like work, each sentence a strain.
The good news?
You don’t have to make the time, you don’t have to deal with any of it.
There are easier ways to flush out a character without going all David Copperfield…
I Am Born
I Have A Change
I Fall Into Disgrace
and all of its other tedious point-by… chin-nodding… plodding… points.
Besides, if you write it all out now, if you include every turn and twist, accolade and fault, where does the character have left to go/grow? Where is there room for someone new to enter their life or become a long-lost acquaintance, rekindled?
Or are you actually intent on playing out a mental-geriatric just waiting for Death to knock?
Better to recall how we all actually converse with and engage people.
Anecdotes. Tales to amuse, frighten and warn. Songs to belt out, lessons to learn, quirks to conceal and shy smiles that end in a rosy-blush.
Quick do me a favor… Find a copy of a play, a script, anything. Turn to the front.
What do you see? Probably something that looks like this?
Cast of Characters
George – 46- Member of the history department at NCU. Married to Martha.
This is where the play starts.
Whether you’re in the audience thumbing through the playbill, waiting for the lights to dim or reading through the script for the first time. This is what a Cast List gives.
An Name, Age, at least one ready Relationship with another character and a Profession.
A NARP, if you will… the absolute bottom barrel essentials of character-based larping.
This is the only OOC introduction I ever want.
How then, are we ever to get to know the character’s personalities, back-stories, where they came from or where they’re going? Or to put it another way, “What’s their deal?”
Simple. By observing. How they interact, how they speak. By what their body language is telling us. If they seem to always be lying or can’t keep a secret. Are they making others uncomfortable or welcome?
My secret key to strong RP is knowing how a character relates to others.
I firmly believe that having a working and most importantly, fluid, inner dialogue is more worthwhile then spending our time writing out an IC novel.
So stay tuned and join us as we tread down the well worn avenues of RP relationships and attempt to pry up the brickwork.